{"id":5877,"date":"2012-09-08T02:04:53","date_gmt":"2012-09-07T22:04:53","guid":{"rendered":"http:\/\/www.dominicana-online.org\/?p=5877"},"modified":"2012-09-08T02:04:53","modified_gmt":"2012-09-07T22:04:53","slug":"noti4414","status":"publish","type":"post","link":"https:\/\/www.dominicanaonline.org\/en\/noti4414\/","title":{"rendered":"Ecological Filmmaking is the Most Powerful Tool by which to Advocate for Environmental Preservation"},"content":{"rendered":"



\n
\n
\n
\n
\"\u201cEl<\/TD>
\n
<\/TD>
\n
\n

Ecological Filmmaking is the Most Powerful Tool by which to Advocate for Environmental Preservation<\/STRONG>
Santo Domingo, September 6, 2012<\/SPAN><\/P>
\n

M<\/SPAN>ichael Parfit,  Evan Abramson, Fernando B\u00e1ez and Suzanne Chisholm consider ecological filmmaking to be the most powerful tool by which to advocate for environmental preservation.<\/P>
\n

\u201cStories are the most natural way to learn about other situations. When you make a film centered on the opinions of the filmmaker, you request that the audience change their minds, but with a narrative film, you trust that the spectator will arrive at his or her own point of view,\u201d<\/P>
\n

The filmmakers all spoke of the importance of incentivizing cinematographic productions, emphasizing that it is the most important tool for reaching large numbers of people and creating awareness of environmental conservation in a global world.<\/P>
\n

During the workshop \u201cEcological Films\u2026 Action!,\u201d Michael Parfit, producer of the film The Whale expressed that he finds narrative films to be the most effective  genre for environmental topics, given that they tell a story with real moments and characters, without necessarily manifesting the point of view of the person behind the camera.<\/P>
\n

\u201cStories are the most natural way to learn about other situations. When you make a film centered on the opinions of the filmmaker, you request that the audience change their minds, but with a narrative film, you trust that the spectator will arrive at his or her own point of view,\u201d affirmed Parfit.<\/P>
\n

Evan Abramson, of the film Carbon for Water, added that an additional element that must be taken into consideration is the objective behind the creation of a film and the target audience. He stressed that the simpler the script and the story, the more effective it will be, as it will be able to reach a wider audience.<\/P>
\n

The cinematographic director Fernando B\u00e1ez of Unicornio Films also pointed out that although environmental filmmaking is not high paying, it provides large payback in terms of personal satisfaction. He maintained that all productions with ecological storylines should be linked to ethics, so as to obtain results and possible solutions to the problem in question.<\/P>
\n

Suzanne Chisholm, producer of the film The Whale, urged those present to never give up the search for good stories. She said that everyone that seeks to become a good filmmaker should pursue their dream every day. <\/P>
\n

The workshop served as a platform by which to consider the new opportunities made possible by the country\u2019s new film law and to discuss the evolution of the Latin American film industry and growing sensitivity towards the environment. <\/P>
\n

Evan Abramson is an award-winning filmmaker and photographer born in New York City. Together with his wife Carmen Elsa Lopez, he writes, directs, shoots, edits and produces. In 2010 they formed Cows in the Field, a production house focused on telling the stories of people impacted by environmental crisis around the globe \u2014 and on finding solutions. Their 2011 documentary Carbon for Water, has won nearly 20 film festival awards. Evan\u2019s 2010 multimedia documentary, When the Water Ends won First Prize at the 2012 World Water Forum and was nominated for a Webby, a World Press Photo Award and was a finalist in the Online Journalism Awards.<\/P>
\n

Fernando B\u00e1ez, Founder and President of Unicorn Films and Grupo Unico, has made more than 250 documentary films. He was production manager on several channels of the Dominican Republic, as well as director and producer of the documentary series La Imagen Nacional. He has won numerous national and international awards as a television director. His productions include Tiempo para Cosechar; Un Pueblo con Alma de Carnaval; Rep\u00fablica Dominicana… Sus R\u00edos, Saltos y Lagos; and the recently released feature film El Rey de Najayo, among others. Fernando Baez holds M.A. degrees in both Cinematography and Film.<\/P>
\n

Suzanne Chisholm is an award-winning film producer and director, currently living in British Columbia. She was born in Quebec and raised in Nova Scotia. She has produced and filmed news stories and documentaries in Europe, South America, Africa, Australia, the South Pacific and throughout North America.<\/P>
\n

Together with her husband, Michael Parfit, Suzanne directed, produced and filmed over 20 stories for the National Geographic Channel-US, on a variety of environmental, wildlife, cultural and human-interest stories around the world. They also directed and produced The Search for the Never Never, a one-hour documentary about the Australian environment, which was distributed internationally. Their first film was Letters from the Forgotten People, a story about refugees in Tanzania. Her work has been shown on National Geographic Channel, CNN, PBS, BBC, NHK, France 2, CBC, Al-Jazeera, and in film festivals around the world.<\/P>
\n

Collaborators<\/STRONG><\/P>
\n

The realization of DREFF <\/A>2012 has been made possible thanks to support and contributions from our collaborators:<\/P>
\n

Centro Cuesta Nacional (Arrecife), Banco de Reservas (Colibr\u00ed), Fundaci\u00f3n Vida Azul, Panorama Verde, Odebrecht, Uepa.com, Uepa Radio, PUNTACANA Resort & Club, el Proyecto Nautilius, the Ministry of Environment and Natural Resources of the Dominican Republic, Sue\u00f1os de Colores (Dreams in Color), la Revista Flow (Flow Magazine), el Centro Cultural Perell\u00f3 (Perell\u00f3 Cultural Center), the Embassy of Spain in the Dominican Republic, , Universidad Nacional Pedro Henr\u00edquez Ure\u00f1a (UNPHU) (Pedro Henr\u00edquez Ure\u00f1a National University), the Ministry of Culture of the Dominican Republic, Cl\u00faster Tur\u00edstico del Destino Puerto Plata (Tourism Cluster Destination Puerto Plata), la Universidad Cat\u00f3lica Nordestana de San Francisco de Macor\u00eds (Catholic University Nordestana de San Francisco de Macor\u00eds), el Centro Cultural Narciso Gonz\u00e1lez (Narciso Gonz\u00e1lez Cultural Center), Centro Le\u00f3n, CEDAF, Terra and RENAEPA, among others.<\/P>
\n


<\/P>
\n

<\/P>
\n

<\/P>
\n

 <\/P><\/TD><\/TR><\/TBODY><\/TABLE><\/p>","protected":false},"excerpt":{"rendered":"

Ecological Filmmaking is the Most Powerful Tool by which to Advocate for Environmental PreservationSanto Domingo, September 6, 2012 Michael Parfit,  Evan Abramson, Fernando B\u00e1ez and Suzanne Chisholm consider ecological filmmaking to be the most powerful tool by which to advocate for environmental preservation. \u201cStories are the most natural way to learn about other situations. When … Continue reading “Ecological Filmmaking is the Most Powerful Tool by which to Advocate for Environmental Preservation”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-5877","post","type-post","status-publish","format-standard","hentry","category-noticias"],"_links":{"self":[{"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/posts\/5877"}],"collection":[{"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/comments?post=5877"}],"version-history":[{"count":0,"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/posts\/5877\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/media?parent=5877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/categories?post=5877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dominicanaonline.org\/en\/wp-json\/wp\/v2\/tags?post=5877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}